Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Cornelius Van Til offered a revolutionary exposition of the Christian worldview through the lens of Reformed theology. He argued and, I believe demonstrated, that Biblical metaphysics, epistemology, and ethics mutually presuppose and include one another. Every ethical statement of the Bible — commands about righteousness — presuppose the existence and…
In the introductory portion of Deuteronomy, Moses’ last sermons to the people of Israel — people that he regarded as his own beloved children — there is a statement that may seem paradoxical to a modern reader. It invites questions and maybe even creates problems in our understanding. Here are…
In his discussion of the biblical type scene, Robert Alter speaks of the “patterns of repetition, symmetry, [and] contrast” which characterize the narratives of Scripture, patterns that give pleasure to the reader while also building up a web of meaningful connections between texts. 1 But if readers are to notice…
In 1 Timothy 2, Paul writes: “I do not permit a woman to teach or to have authority over a man, but to be in silence. For Adam was formed first, then Eve. And Adam was not deceived, but the woman being deceived, fell into transgression” (1 Timothy 2:12-14). This…
Blessed are the meek: for they shall inherit the earth. Matthew 5:5 When the above verse is read during a Lord’s Day service, no doubt, every extrovert in the room thinks to himself, “Well, that rules out me.” After all, the meek folks in the room are the ones you…
The flames of the altar tell a mysterious story beyond mere atonement. The altar was a place of union, glory, worship, love and forgiveness, laughter and tears, renewal and hope. The altar is where Israel would feast with God, sacrifice to God, worship God, confess, and receive forgiveness from God.…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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