Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
References to the Son of Man coming on the clouds occur five times in the Synoptic Gospels. Three times such expressions appear in the parallel accounts of the Olivet Discourse (Matthew 24:30; Mark 13:36; Luke 21:27). Then, in parallel accounts of Jesus’ trial before the leaders of Israel, such expressions…
Just what the difference is in the work of the Holy Spirit in the Old Testament and the New Testament is a question not so easily answered. The distinction is often said to be that in the Old Testament the Holy Spirit is on the believer, but in the New…
1. Introduction You should think of 1917 at church on Sunday. Why? Let me explain. There's one film every Oscar season which everyone seems to have watched—your parents, your colleagues, even your pastor. This year, it's 1917— Sam Mendes' WW1 epic following two British Tommies on a seemingly impossible quest…
This piece was originally part of the Bowyer response to the Theopolis series surrounding Professor McDermott’s essay, “Rethinking Israel.” For the sake of brevity, it was removed from the initial response, to be published as a standalone piece. As we’ve argued previously , we are strongly supportive of the right…
Richard Bauckham’s groundbreaking work, Jesus and the Eyewitnesses: The Gospels as Eyewitness Testimony , is profoundly insightful, but the message of the book is hampered by the presupposition of Marcan priority. Ironically the place where this assumption perhaps does its most damage is in Bauckham’s discussion of the apostle Matthew…
The Protestant Reformation was defined by certain clarifying disagreements between the medieval Church and those who came to be known as Protestant Reformers. Chief among these was the nature of justification: whether one was justified by works, or by faith and works, or—as Martin Luther contended—by faith alone. Now over…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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