Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Thus says the Lord: “A voice is heard in Ramah, lamentation and bitter weeping. Rachel is weeping for her children; she refuses to be comforted for her children, because they are no more” (Jer 31:15). The Night of the Hunter belongs on every Christian’s Christmas list. My family has even…
One important part of Jesus's birth narrative is the presence of angels. The angel Gabriel appeared to the Virgin Mary, announcing that she would bear a son. And then, on the night Jesus was born, a whole host of angels appeared to the shepherds. Angels are mysterious creatures to us.…
I was settled nicely into my chair and listening to the conversation in an undergrad religion seminar, my last required course to graduate. Though a few Christians sat scattered around the room, the course itself was dedicated to poking holes in traditional understandings of the Bible: our readings deconstructed notions…
God’s symbols belong to Him and to His people. They are constantly at work in the world, including the world of film, music, painting, architecture, and other artforms. You cannot escape God’s symbols or the meaning He has woven into the created order. Artists use and borrow God’s symbols, whether…
For centuries, Christians identified Israel in the Old Testament as a single, literal ethnic group, often called “the Jews.” Even supersessionists – those who believed the Church superseded Israel – assumed the clear-cut, technical definition of “Israel” in the Bible is the ethnic group. However, a deeper dive into Genesis,…
Misreading Intent In the opening verses of Matthew 11, the reader is confronted immediately by John the baptizer who has been imprisoned since 4:12. John poses a question to Jesus, inquiring from prison as to whether or not he is Israel’s awaited Messiah or if they should anticipate another: “Are…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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