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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Death

Integrity

Integrity seems to have two meanings. It can mean the quality of being honest and having strong moral principles. A man of integrity is a person of honour, rectitude and probity, truthful and trustworthy. Integrity also describes a state – the quality of being whole and undivided. If things are…

by Arthur KayMarch 19, 2015
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Psalms

Psalm 32 Commentary

Get the Psalm 32 Translation here Psalm 32 is the first part of Ps. 32-33, ending with a call to praise that is answered by what follows. Ultimately the psalm needs to be considered as a whole, but what we call Psalm 32 does have its own structure and logic,…

by James B. JordanMarch 18, 2015
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Humor

On Crude Humor

You wouldn’t hit a man with glasses would ya? No, of course not. I’d hit him with a bat. In our culture of frivolity it is tempting for Christians to think that solemnity should be our defining attribute. The coarseness of the world impedes us from enjoying any sort of…

by Remy WilkinsMarch 17, 2015
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Creation

Maker of Heaven and Earth, Part 2

Taking a cue in my last post from early Christian apologetics, I suggested that if we wish to articulate and defend a doctrine of creation ex nihilo in contemporary theology, we would do well to offer a thick description of Yahweh’s divine monarchia (his sole rule or sovereignty). Rather than…

by Stephen LongMarch 12, 2015
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Creation

Catechism of the Universe

I’m not sure we really understand the insidiousness of unbelief. It is not merely to reject the gospel of Jesus, the existence of a Creator God, or to question biblical morality. At its core, unbelief is ingratitude, and by the very nature of this ingratitude, it must ultimately reject every…

by Toby SumpterMarch 10, 2015
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Mark

The True Jonah and Lenten Fasting

Mark’s narrative of the baptism of Jesus is characteristically brief: “In those days Jesus came from Nazareth of Galilee and was baptized by John in the Jordan. And when he came up out of the water, immediately he saw the heavens being torn open and the Spirit descending on him…

by Arthur KayMarch 9, 2015

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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