Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Hearing, Seeing, and History God is Word, not picture. He speaks, but He is not visible in Himself. Thus, God initiates history through language. He speaks the world into existence, and speaks to us to bring us out of formlessness and emptiness into the fullness of being His Bride. Similarly,…
The consensus of modern critical scholarship is that the book assigned to Isaiah was in fact composed by several different hands. "Deutero-Isaiah" supposedly begins with Isaiah 40:1. There are many good reasons for rejecting this conclusion. Among these, the narrative pattern of chapters 36-39 is a neglected piece of evidence.…
Eugen Rosenstock-Huessy has pointed out throughout his many fascinating and occasionally quixotic writings and lectures that human life exists in four directions. These four directions are inward, outward, backward, and forward. In this article I want to explore these as they relate to the work of the Church. Each of…
14. Joseph and Judah Genesis 38 tells us about Judah’s sons and grandsons, and if we try to get these events into the time before the descent of the Hebrews into Goshen, it is very difficult to do so. But this passage is almost certainly dischronologized. Thematically Genesis 38 is…
From time to time I am asked what is good SF and fantasy that teenagers in Christian and home schools might enjoy. The following brief discussion is my answer that question. I’ve tried to point out authors and stories that are not widely known, and therefore have set aside G.…
"And many of those who sleep in the dust of the ground will awaken, some to life everlasting and others to disgrace, to contempt everlasting." This verse is often cited as proof that there was a belief in the resurrection of the body in the Old Testament times. In fact,…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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