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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Authority

The Restrainer

When Samuel saw Saul, Yahweh answered him, "Behold, the man of whom I spoke to you! This one will restrain My people" (1 Samuel 9:17) Many English versions of 1 Samuel 9:17 read, "This one will rule over My people," but that is a mistranslation. The Hebrew verb is `atsar…

by James B. JordanDecember 4, 1992
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Acts

Chronology of the Gospels

We have arrived at the tentative date of A.M. 3474 for the decree of Cyrus, and we have determined to operate as if the 70 weeks of Daniel 9 are literal years. We also decided that Messiah the Prince arrives at the beginning of the 70th week, after the 69…

by James B. JordanDecember 4, 1992
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Biblical Studies

The Dramatic Structure of Proverbs

The book of Proverbs appears as a largely random collection of aphorisms drawn from experience saturated in law. Despite its random arrangement, however, the book does have an over-arching structure that reinforces its main themes. One way to gather clues regarding the structure of a biblical book (or any book)…

by Peter LeithartNovember 17, 1992
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Leviticus

Leviticus 27

I recently had the privilege and pleasure of reading the first draught of Gary North’s Economic Commentary on Leviticus , which will be out some time next year. Gary’s comments on Leviticus 27 were stimulating, and caused me to take another look at the passage. The results, which I sent…

by James B. JordanNovember 4, 1992
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Daniel

Bridging the Last Gap: Daniel’s Seventy Weeks Revisited

As we have seen in this series, each time there is a new covenant, there is a break in the year-by-year chronology. At the same time, each time the break is crossed by information provided in the text. Thus, the year-by-year chronology breaks down at the birth of Abraham, but…

by James B. JordanNovember 4, 1992
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Art

The Openness of Literature & the Mystery of Art

The Openness of Literature Let’s discuss literature for a moment. There are two ways a story or novel can close. The first is called poetic justice. When a story ends with poetic justice, the bad guys are all punished and the good guys are all rewarded. This kind of story…

by James B. JordanNovember 4, 1992

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Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Father of Joy

The following thoughts came largely from a PCA minister from Virginia with whom I enjoyed a recent, stimulating conversation. The Triune fellowship is a fellowship of eternal infinite joy. The Father delights in His beloved Son, and eternally pours out the abundance of His Spirit on Him. The Son delights…

October 26, 2005

Constantine

Keanu Reeves seems incapable of playing anything but a Christ figure (remember his supersonic ascension at the end of Matrix 1). In the recent horror film, Constantine , he plays John Constantine (J.C. – get it?), an agnostic, chain-smoking suicide restored to life to work as a free-lance exorcist. He…

October 26, 2005

Staying put

Elijah goes to Gilgal, and Elijah tells him to stay. Elisha refuses, and together they move on to Bethel. Elijah tells Elisha to stay put again, but again he refuses and the move on to Jericho. When Elijah has departed and Elisha returns to the land, he “stays” in Jericho…

October 25, 2005

Musical and Narrative Structure

Mozart’s little Minuet in F from Don Giovanni has a simple form. After a 3-measure introduction, the main theme runs through several measures, and then repeats exactly. A second theme follows, and is again repeated identically, and the piece ends with a double repetition of the main melodic theme. This…

October 25, 2005

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