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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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Food and Air

Ackerman points to an intriguing phenomenological difference between our dependence on air and our dependence on food. We breathe involuntarily; if we try to suffocate ourselves, we will pass out before we die, and we’ll begin breathing again. But (under normal circumstances) we don’t get food unless we seek it…

July 17, 2004
Theology

Wedding Sermon, July 16

Proverbs 9:1-6, 13-18: Wisdom has built her house, she has hewn out her seven pillars; she has prepared her food, she has mixed her wine; she has also set her table; she has sent out her maidens, she calls from the tops of the heights of the city: ?Whoever is…

July 16, 2004

Aphrodisiacs

The always-interesting Diane Ackerman gives this wonderful list of aphrodisiacs: “Looked at in the right light, any food might be thought aphrodisiac. Phallic-shaped foods such as carrots, leeks, cucumbers, pickles, sea cucumbers (which become tumescent when soaked), eels, bananas, and asparagus all have been prized as aphrodisiacs at one time…

July 16, 2004

Deadlines

hordes rushing at me armed to the teeth from the future

July 16, 2004
Literature

Shakespeare’s Two Romes

Robert S. Miola’s article on Shakespeare’s Rome in the Cambridge Companion to Shakespeare’s History Plays is superb. Here are a couple of excerpts: ?The spectacle of such bloodshed and death defines Shakespeare?s ancient Romans as other, as deeply alien and strange. But Roman violence had other significations for original audiences,…

July 15, 2004
Literature

Shakespeare’s Two Romes

Robert S. Miola’s article on Shakespeare’s Rome in the Cambridge Companion to Shakespeare’s History Plays is superb. Here are a couple of excerpts: ?The spectacle of such bloodshed and death defines Shakespeare?s ancient Romans as other, as deeply alien and strange. But Roman violence had other significations for original audiences,…

July 15, 2004

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