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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Children

Honor God With Your Body

I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…

by Lindsey TollefsonApril 9, 2015
giotto-noli-me-3
John

The Gardener and the Beloved, (Part 3)

Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…

by Jeff MeyersApril 6, 2015
giotto-noli-me-2
John

The Gardener and the Beloved, (Part 2)

Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…

by Jeff MeyersApril 4, 2015
easter-term-2015-2
Theopolis News

Easter Term, 2015

“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…

by TheopolisApril 2, 2015
psalm-singing
Genesis

Worship as Response: Liturgical Logic, (Part 1)

“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…

by Jonathan BarlowApril 2, 2015
giotto-noli-me
John

The Gardener and the Beloved, (Part 1)

On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…

by Jeff MeyersApril 1, 2015

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Philosophy

More Reflections on Postmodernism

Back to reflections on post-modernism: It seems that Freud, not Nietzsche, is the really grandfather of the movement, though, not unexpectedly, some sons and grandsons efface his memory and resist his influence (not all, of course).

October 28, 2003
History

Courtly Love

On courtly love: The basic shift is from the ancient and early medieval view that eros sapped and vitiated virtus to a belief that eros was a condition of the possibility of virtus and valor. This is, as Lewis said, a seismic shift in sensibility, one that we still do…

October 28, 2003

Structure of Romans 1:16ff.

Jouette Bassler’s 1984 article “Divine Impartiality in Romans” ( Novum Testamentum ) present structural arguments for saying that the section beginning in Rom 1:16-18 runs through the middle of chapter 2. This is evident from the repetition of the verb prasso in 1:32 and again in 2:1-3; thus the center…

October 28, 2003
Philosophy

Postmodernism and the ’60s

It’s not at all accidental that postmodernism takes its rise in the mid-1960s. Bloom wrote the first draft of the anxiety of influence in 1967, and revised it over several years before its initial publication in 1973. Derrida’s annus miraibilis was 1967, which saw the publication of Speech and Phenomena…

October 28, 2003
Philosophy

Postmodernism and the ’60s

It’s not at all accidental that postmodernism takes its rise in the mid-1960s. Bloom wrote the first draft of the anxiety of influence in 1967, and revised it over several years before its initial publication in 1973. Derrida’s annus miraibilis was 1967, which saw the publication of Speech and Phenomena…

October 28, 2003
Philosophy

Murder of Father

Turns out that Harold Bloom’s “anxiety of influence” is just another variation on the same set of themes that Derrida is obsessed with — the son’s murder of the father. For Bloom, the son is the “strong poet” who resists the influence of his predecessor/father in order to carve out…

October 28, 2003

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