Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…
In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…
“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…
Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…
“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…
In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…
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B rad Littlejohn presents a number of criticisms of my account of penal substitution in Delivered from the Elements of the World . I won’t attempt to address all of them, but focus—at once too briefly and at tedious length—on Brad’s central substantive question, which concerns guilt and Jesus’ guilt-bearing.…
I ’ve been reading commentaries on Revelation 1:12–20, learning a great deal, but getting increasingly frustrated. Even the best commentators sometimes fall into the twin faults of contemporary interpretation—atomization and abstraction. Let’s take the “robe” that Jesus wears. Many have suggested that the robe designates Jesus as a priest, but…
I n his Anchor Bible commentary on Revelation , Craig Koester says this about John's initial vision of Jesus: “ The figure’s appearance defies easy description: hair that is white like wool or snow, eyes like a flame of fire, a voice like rushing water, a face like the sun.…
I n a contribution to Harold Bloom’s collection of essays on Macbeth , Robert Lanier Reid observes that ” Interpreters of Macbeth have focused almost exclusively on the first murder, the killing of a king in Acts 1–2, as the basis for understanding the play—its social, psychological, and metaphysical meanings.…
“W hat purpose do the Weird Sisters have for confronting the hero—or what is their masters’ purpose, if they in fact have such masters?” asks Susan Snyder in her contribution to Macbeth . She doesn’t think the play gives a clear answer, and she adds that the play doesn’t explain…
P eter Milward writes of “meta-drama” in Hamlet and Macbeth in his contribution Shakespeare’s Christianity . He argues (unconvincingly) that Shakespeare had in mind the situation of recusant Catholics in England. Milward’s analysis of the biblical features of the play is more compelling. He notes that “already from the opening…
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