Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the beginning, this was home. The world, I mean. Creation wasn’t just a series of unconnected events, a flashy display of building prowess. Yes, creation was intended to give God glory—which I guess you could say means that the creation was supposed to show the greatness—the weight —of God.…
We think we know. God is a stern Rule-Maker who has a bit of an anger management problem. Or, God is the indulgent Daddy in the sky. Or, God used to be a stern Ruler, but he got nice. Christians don't believe any of that. Christians say the one God…
Unfortunately today, baptism seems so… tiny . It’s actually… cute (maybe sweet?) when it’s given to a child. A little baby, a small gathering of people, a little bowl of water, tiny drops sprinkled upon the little baby’s head followed by a small applause and a short prayer. How… small!…
Early on in the history of the church, Christians understood that the 1st century Jewish practice of meeting for prayer at set times of the day was a good and biblical practice to continue. We find references to this in several places in Scripture. In Acts 3 we find Peter…
Editors’ note: For those interested in a review of Richard Hays’s latest book, see here . Richard Hays is a renowned New Testament scholar. The professor of New Testament at Duke Divinity School originally studied English literature, giving his reading of Scripture a pronounced literary sensibility. He’s perhaps best known…
As many commentators point out, Genesis is structured by 10 uses of the word toledoth , "generations." The word means something along the lines of "begotten things," and the toledoth statements head the various sections of Genesis. When Genesis 2:4 announces "these are the begettings of heaven and earth" and…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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