Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Where do we go from here? Depending on one’s perspective, the American story can plausibly be interpreted in different ways. Looked at from past to present , we can see a great deal of continuity from medieval Christendom and the Reformation to America’s founding. The War for Independence, after all,…
Click HERE for Part 1 Civic Religion: American or Christian? We have already traced out the basic contours of the shift in America from an ecclesiocentric, theocratic social order to a secular one. Building on Locke and Hobbes, the Enlightenment accomplished an astonishing coup of Christendom. That victory for the…
Author’s Introductory Note: Engaging in broad historical interpretation as I am about to do is always risky. Necessarily, one “stylizes” history by simplifying, over generalizing, and stereotyping. But the narrative qualities of history are not simply due to the imposition of human rationality upon brute facts; rather history is always…
A. Repentance to life involves endeavoring to believe real hard that you’re saved. reject infant baptism. stop watching Buffy the Vampire Slayer. walk with God in all the ways of his commandments. B. What is necessary so that no sinner may expect to be forgiven unless he does it? Only…
The machine works mechanically and it is flawless. Slander/libel a group of Presbyterian ministers as “Romanist” because robes and James 2 are no worse than praying to Mary or relying on purgatory to pay for unconfessed sins. Drive off anyone who disagrees. Of that number, there may be a tiny…
If we take as a starting point the Tribal / Monarchical / Empire model, we can then add to it the Late Empire Phase. The particular ‘marker sin’ of Empire is false intermarriage, which signifies pluralism and syncretism. Empires by definition are “cosmopolitan” dominated by cities, high culture, many cultures,…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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