Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
There is nothing good Satan cannot pervert, and that fact extends to the Christian public witness against abortion just as it applies to everything else. As a Christian who has written, marched, and picketed against legalized abortion since 1970, I have been saddened to see the development of the anti-Christ…
(We are discussing the meaning of the phrase "cutting off of days" in Genesis 4:3, showing that it implies the turn of the year in autumn.) Two passages use the term "cutting off of years" to refer to the lunar year, beginning in the Spring. Exodus 12:41 – at the…
In the second year of Darius, near the end of the feast of booths, the prophet Haggai encouraged the Jews of the restoration to continue their work on the temple by assuring them that “the latter glory of this house will be greater than then former” (Hag. 2:9). To this…
G. K. Chesterton began Orthodoxy by describing the plot of a book that he had never written. Taking a page from Chesterton, below I will briefly map out the territory of a book (or books) that need(s) to be written. Had I but world enough and time–and a small army…
As long as Moses lived, Israel seldom worshipped other gods directly. She broke the First Word by breaking the Second, worshipping God through the calf. As we shall see, God always treats such Liturgical Idolatry as Covenantal Idolatry, but it is far more serious because it is committed by those…
In response to my article, " The Holy City " (in Biblical Horizons 55) James B. Jordan has made several suggestions about how I might expand on the ideas presented there. Several other readers have also contributed their insights. Below, I trace a few sketchy lines of thought. 1. The…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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