Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The sin of Ham in Genesis 9 continues to elicit comment, since it seems mysterious. We read in 9:21-23 that Noah uncovered himself inside (the covering of) his tent, that Ham (entered the privacy of Noah’s tent) and saw his father’s (not “Noah’s”, n.b.) nakedness, that Ham told his two…
Recently the magazine Tabletalk published a series of essays against Calvinist theologian N. T. Wright. The black cover of this issue lets us know just how dangerous this man is. But how dangerous is N. T. Wright? Well, he’s dangerous to some people, but not to others. Let’s see: He…
You need to read Rob Rayburn’s defense of his presbytery to the PCA SJC (Standing Judicial Committee). If you’ve been out of the loop on this, that’s okay. But what has happened in the last few years is that people have made accusations against Peter Leithart, and in response the…
What does it mean to read the Bible as inspired literature? The method is not new nor is it uncommon in Dutch Reformed circles. Exegesis must be Christocentric, plenary (all the text serves a theological purpose), respect the context in God’s redemptive plan, and plumb the full literary depth of…
Reading in John Calvin’s sermons on 2 Samuel today, I came across this wonderful statement. This comes from a sermon preached on July 3, 1562, “The True Worship of God,” an exposition of 2 Sam. 6:1-7. Calvin is discussing the implications of the affirmation that Yaweh, the God of Israel,…
A great deal of confusion about the relative value of “virginity” and marriage can be avoided if one pays careful attention to the text of Paul’s advice in 1 Corinthians 7. The two most important observations are: 1) that Paul’s specific recommendations are made because of the “impending crisis” (v.…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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