Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
[This essay was originally published in 1988. Given the situation that our new national socialists are getting the world into, I thought it might be useful to reprint it here. – JBJordan] The Bible has quite a bit to say about gold, silver, and precious stones, and the Bible always…
I wrote this elsewhere and was encouraged to put it here. It is a comment on what a pastor is. Today, this is not very well understood, and God’s people suffer because of it. There are four professions: medicine, education, law, and religion. Each of these, when done at a…
James Jordan recently pointed out in private conversation how appropriate it is, in John’s Gospel, that Nicodemus is present both to ask Jesus about being born again, and to see Jesus re-enter the womb of the mother. Nicodemus rhetorically asks, “How can a man be born when he is old?…
This is a problematic and much discussed passage. I’ve been discussing it in another forum, and have decided to move it here and present some very preliminary observations about it. One large question is this: Who is the speaker here and what is his situation? Traditionally, the speaker is seen…
1. The current issue of The Magazine of Fantasy and Science Fiction includes a good fantasy novella by John C. Wright, who since his conversion has been writing Christianly. This is a fine fantasy with nods to C. S. Lewis and Antoine de Saint-Exupery, and probably Gene Wolfe as well.…
“It is an experience of our days that the spoken name of Jesus alone exercises an unforeseen power; and the effort which it cost to speak this name is perhaps connected to some faint apprehension of the power which is inherent within it. Wherever the name of Jesus Christ is…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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