Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Where do we go from here? Depending on one’s perspective, the American story can plausibly be interpreted in different ways. Looked at from past to present , we can see a great deal of continuity from medieval Christendom and the Reformation to America’s founding. The War for Independence, after all,…
Click HERE for Part 1 Civic Religion: American or Christian? We have already traced out the basic contours of the shift in America from an ecclesiocentric, theocratic social order to a secular one. Building on Locke and Hobbes, the Enlightenment accomplished an astonishing coup of Christendom. That victory for the…
Author’s Introductory Note: Engaging in broad historical interpretation as I am about to do is always risky. Necessarily, one “stylizes” history by simplifying, over generalizing, and stereotyping. But the narrative qualities of history are not simply due to the imposition of human rationality upon brute facts; rather history is always…
A. Repentance to life involves endeavoring to believe real hard that you’re saved. reject infant baptism. stop watching Buffy the Vampire Slayer. walk with God in all the ways of his commandments. B. What is necessary so that no sinner may expect to be forgiven unless he does it? Only…
The machine works mechanically and it is flawless. Slander/libel a group of Presbyterian ministers as “Romanist” because robes and James 2 are no worse than praying to Mary or relying on purgatory to pay for unconfessed sins. Drive off anyone who disagrees. Of that number, there may be a tiny…
If we take as a starting point the Tribal / Monarchical / Empire model, we can then add to it the Late Empire Phase. The particular ‘marker sin’ of Empire is false intermarriage, which signifies pluralism and syncretism. Empires by definition are “cosmopolitan” dominated by cities, high culture, many cultures,…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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