Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
A Look at John 1.17 For the law was given through Moses, but grace and truth came through Jesus Christ. The above quotation is John 1.17 and comes from the New King James Version of the Bible. It is quite similar to the original translation in the old King James…
And the Child continued to grow and become strong, increasing in wisdom; and the grace of God was upon Him. There is nothing faulty in this translation (New American Standard Bible); Jesus was the recipient of the grace of God His Father from whom He is eternally begotten and with…
When Paul wrote to Philemon asking him to forgive his runaway slave, Onesimus, he gave Philemon an interesting perspective on how God used Onesimus’ action to bring about his conversion: For perhaps he was for this reason parted from you for a while, that you should have him back forever,…
Adam’s good works were acceptable to God. He could do them and God would receive them. Our own “good” works, our very best works, require the forgiveness of God and the continual intercession of Jesus Christ due to their impurity. Thus, it is appropriate to describe God’s covenant with Adam…
In Mark’s Gospel we read: “And the scribes who came down from Jerusalem were saying, ‘He is possessed by Beelzebul,’ and ‘He casts out the demons by the ruler of the demons’” (3.22). Jesus replied in part, “Truly I say to you, all sins shall be forgiven the sons of…
A Primer for Church Members on the Nature and Functions of the Body of Christ Introductory Note: I intend this paper to serve as something of a “user’s guide” for church members, though church leaders may also find it valuable in developing vision statements for their local bodies. I have…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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