Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
As Adam and Eve walked to the center of the Garden of Eden to meet with the LORD on their first Sabbath they conversed about the origin and age of the earth. Adam: You know, honey, we spent a lot of time yesterday making preparations for our house, and we…
Some of our forefathers believed in reading/singing the psalms in order. Today, when the psalms are even used at all, they tend to be used randomly, though sometimes tied to a church calendar or to the pastor’s sermon. The Bible does not bind us to any particular practice, but there…
Dr. Collins begins his essay with a brief statement of the Day Age view and then a brief statement of the Six Day view, focussing on the challenge to that view posed by modern "science." He ends this discussion by writing: "Two crucial points are at stake here: first, the…
In his The Construction of Social Reality , Berkeley philosopher John Searle puzzles over the ontology of the products of human construction. Certain things – granite, platypi, weeping willows – occur naturally; while other realities – stone walls, zoos and parks, Chase Manhattan Bank – exist only as products of…
In the journal Presbyterion 20 (1994):109-130, published by Covenant Theological Seminary, Dr. C. John Collins sets forth a revision of the Day Age approach in his essay, "How Old Is the Earth? Anthropomorphic Days in Genesis 1:1–2:3." Dr. Collins’s essay has been widely accepted in evangelical Presbyterian circles as an…
The Righteousness of Shem and Japheth As noted above, the action of Shem and Japheth was purely symbolic. They did not need to cover Noah with a garment, for he was already covered by the tent. Their action was a symbolic affirmation of Noah’s authority, a symbolic rejection of Ham’s…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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