Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And through the hands of the apostles many signs and wonders were done among the people. And they were all with one accord in Solomon's Porch. Yet none of the rest dared join them, but the people esteemed them highly. Acts 5:12-13 When Grandma needed healing, her children knew the…
Like certain kinds of music, the unchanging rhythm of Aquinas's Summa gets into your bones. Read a few sections and it begins to run through your head. You start drumming your fingers, humming, swaying gently to the rhythm of Videtur-Sed Contra-Responsio, Videtur-Sed Contra-Responsio, “It seems-On the contrary-I answer.” The only…
And Arpachshad lived thirty-five years, and became the father of Shelah . . . And Shelah lived thirty years, and became the father of Eber . . . and Eber lived thirty-four years and became the father of Peleg . . . and Peleg lived thirty years, and became the…
Of course, the title should be something like, “The Fall of the Angel Who Came to be Satan,” but that and other more accurate titles are too cumbersome. The question is: who is Satan, and when and how did he become “Satan” (Adversary, Accuser) and the “devil” (slanderer)? By my…
In The Oddness of the Feast of Booths , we saw that the Feast of Booths is a commemoration of the first encampment of Israel at Sukkoth (Booths) in Exodus 12:37, almost certainly the first celebration of the week of Unleavened Bread after the first Passover. The Feast of Booths…
This piece was originally published in 1989. 1. The Blessed Hope "Looking for the blessed hope and the appearing of the glory of our great God and Savior, Christ Jesus." Titus 2:13 I was recently asked how I as a postmillennialist would preach on "The Blessed Hope." This is often…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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