Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
It seems to be old news, but I was unaware of it until recently. Australian academics argued that mothers should be allowed to terminate the life of a newborn child. [i] Why would they promote such an idea? Because before the child is born it is not always possible to…
This is the second of two essays introducing Pascal’s Wager. Click HERE for Part 1. In “The Pop Star and the Mathematician” I gave an overview of the apologetic approach commonly called Pascal’s Wager. In that Wager, 17 th -century French mathematician Blaise Pascal argued that the choice between Christian…
This is the first of two essays aiming to introduce the reader to Pascal’s Wager. The second will address criticisms of the Wager. In the early 1990s, a perennially popular British pop star was interviewed on British television about his very public evangelical Christian faith. “What if,” the reporter asked…
Matthew 13 is about secrets. In this chapter, Jesus teaches eight parables and tells the disciples that they reveal the secrets of the kingdom (13:11). And much like Samson who both tells riddles and is himself a riddle that the reader must solve, so Jesus not only tells secrets but…
Click HERE for part One. THE TEXT AS TABERNACLE Creation – Initiation – Genesis (1 Samuel 17:1-11) The gathered armies not only remind the reader of Ebal and Gerizim, but also of the very reason that Israel was established (Creation) , set apart from the other nations by the circumcision…
What to do with Job’s Final “Friend,” Elihu Elihu is a strange character, at least in the sense of how and where he appears in the book of Job. Why does he not appear with the other three “friends?” Does his argument differ from any of the first three who…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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