Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Bible, all the world is a stage, but like the Tabernacle, that stage moves around a lot. David’s defeat of Goliath can only be fully understood as liturgy fulfilled in history. Liturgy, as a sacrifice of praise, is the step-by-step process of resolving a conflict. It relinquishes all…
Aristotle isn’t fundamentally wrong about friendship, nor is the long tradition that follows him. But you might not gather that by reading some of the more pointed critics of the classical conception of friendship. I think, however, that the classical view is not only viable but taken up and fulfilled…
#13 in Theopolis Papers, Seeking Integration in a Fragmented World It is time for me to “cast off” integration, the way a knitter removes a completed scarf from the needles. I want to bring my quest concerning integration to a decent closure, though my happy quest for reality continues. With…
Below are some notes on a particular sub-theme of Daniel 3, namely the downfall of Babylon’s liturgy. First up, a few words on our text’s literary construction. One of the most conspicuous features of Dan. 3 is its author’s love of lists . Personnel are listed (vs. 2, 3, 27),…
Few things in Scripture, few things in the Christian life, are more familiar than the Lord’s Prayer. Sunday after Sunday, we pray these words together with our brothers and sisters. At home, alone or with our families, we pray this prayer daily, as Jesus taught us (Luke 11:2: “When you…
At the 2019 General Assembly of the Presbyterian Church in America, the denominational delegates considered a number of official overtures (requests for action from the regional parts of the denomination) relating to issues of gender and sexuality. The PCA is conservative. As evidence of this, the assembly passed a resolution…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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