Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Christian tradition has always had an uneasy relationship with the materiality of creation. Dirt, liquid, sex, blood, and bodies—the world and the flesh stand in company with the Devil as two of the three great enemies of the saints. Mundus, caro, et diabolus , as the old Latin saying…
Since the destruction of Jerusalem was an event of earth-shattering covenantal significance, what might be the meaning of the subsequent tragic events at the desert fortress of Masada? In Hebrew, the name Masada means “strong foundation or support,” from a root meaning “to hunt, lie in wait for prey.” Located…
Take a long look at the photo above. To whom is this woman praying? It is hard to tell, isn’t it? Suppose we watch her for a while. We may see her bow low to the floor. Her lips may move, though perhaps it is too low for us to…
Psalm 137 is widely regarded as one of the meanest of the imprecatory psalms. Certainly as we read it it is seems to be a song of pure vengeance. The exiles in Babylon, in grief over the judgment that Babylon has brought upon them, pray for the destruction of that…
Forty men and women came from all over the United States to attend the 2018 Trinity Term course at Theopolis. Pastors, students, teachers, an electrician, a city planner, and others from a variety of denominations spent five days at Beeson Divinity School studying covenant epistemology under the tutelage of philosopher…
Matthew records that Jesus "withdrew" to Galilee to begin His public ministry there after He "heard that John had been delivered up" (Mt. 4:12). Matthew’s typically matter-of-fact style veils the truly remarkable character of Jesus’ withdrawal. Matthew has been presenting Jesus as the Messiah, the Seed of Abraham and Son…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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