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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Apostasy

Regeneration and Lettuce

My good friend, Jason Ewert, recently posted a review of Pastor Douglas Wilson’s book, Against the Church . Jason correctly notes that Pastor Wilson’s main pastoral motivation in writing this book is to combat dead orthodoxy. Dead orthodoxy is a real problem in Reformed churches that celebrate the primacy of…

by Garry VanderveenJuly 31, 2014
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Eucharist

Jesus Eats First

At the church I pastor, we have four servers who distribute the communion elements to the congregation, and I distribute the elements to those in the foyer and nursery. The servers and I do not partake of the bread and wine until the congregation is served first. As this has…

by Burke ShadeJuly 28, 2014
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Theopolis News

Church of the Present, Pastors of the Future

We at Trinity House believe that the church ought to raise and train her future pastors. Part of that training may be carried out by specialized institutions like Trinity House, but the church and her leaders are ultimately responsible for that training. To encourage churches to assume that responsibility, Trinity…

by Peter LeithartJuly 23, 2014
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Exodus

Mutilated Bodies

Sandra Jacobs's ​The Body as Property examines the role of physical disfigurement in the Hebrew Bible, with focus on the Torah, and more specifically on the (fictitious) Priestly document, P. After an introduction laying out a rationale for the comparative method that guides her research, she explores circumcision, the use…

by Peter LeithartJuly 23, 2014
Isaiah

Saving Judah

Yahweh saves. That’s what Isaiah’s name means, and that’s what Isaiah’s prophecy is about. Yah saves Judah when Aram and Israel pressure her. He saves Jerusalem from the Assyrian siege. He brings Judah back from the grave of Babylonian exile. But this triumphant message of Isaiah fizzles. The last few…

by Peter LeithartJuly 21, 2014
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Apostasy

Apostasy and Assurance

Are apostasy and assurance mutually exclusive? Some seem to think so. But let’s consider this a bit: No Reformed man would ever say that a man who is “saved” today will be safe forever no matter what . Rather we say, “your sins are forgiven, now, walk faithfully, glorify the…

by Steve WilkinsJuly 16, 2014

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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