Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
One reason readers assume Paul is trying to prove that all human beings are sinful is that they understand him to be arguing that no one can keep the law. That means, they think, his opponents must believe that human nature is potentially sinless. Taking Paul’s statement that, if you…
[Note: This post was written prior to our name changing to Theopolis Institute.] What is Trinity House for? Three things: We aim to advance the reformation of the church and, through the church, to promote the renewal of culture; in furthering reformation, we aspire to be a site of fraternal,…
This is the third in a series of studies of the Third Word, and especially of Deuteronomy 14. In 1979 Stephen Kaufman penned a groundbreaking essay on Deuteronomy, arguing that it was a meticulously structured and carefully composed book. In his view, chapters 12 to 26 in particular follow the…
A large mistake is made in understanding Romans if one assumes that Paul is concerned with proving the fact that no one can ever live without sin—or that all attempts at obeying God’s commands are at least tainted with human sinfulness. The first problem with such an assumption is that…
This is the second in a series of studies on the Third Word, and especially on the food laws of Deuteronomy 14. In the second part of this series, I argue that Moses’ reworking of the Ten Words in Deuteronomy 5 includes adding nuance to the Third Word. This prepares…
Recent months have brought a lively discussion of Christian participation in the culture war. On the one hand, the pro-life movement appears to be making some slow progress on the abortion issue. The trial of abortionist and serial murderer Kermit Gosnell has the potential to awaken those who are nominally…
Showing page 193 of 309
Showing page 40 of 43
Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
Showing page 1883 of 2212
Your weekly digest for all things Theopolis.
