Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
First, I love my Christmas songs. This is how I think of it: the season of Advent gets in the way of singing what I want to sing. How can you not listen to Nat King Cole in December? Or Bing Crosby, Harry Connick Jr., and Amy Grant? Even though…
Introduction Imagine the stereotypical American grandparents. Once you have the outline, start filling in the details. What picture emerges? Maybe something like what Ogden Nash said, “When grandparents enter the door, discipline flies out the window.” Or maybe the oft-repeated assertion that it’s the grandparent’s job description “to spoil the…
Hundreds of generations of ancient Israelites grew up as children of Abraham, inheritors of the covenant—the promises of God. These promises were more than nice bumper stickers or framed photos to cover empty space in their homes–these promises were at the heart of their very identity–individually and collectively. Genesis “I…
Aliens and Sojourners When the question “Is there life on other planets?” is asked, even the best theologians can only reply, “The Bible doesn’t tell us.” Well, in truth, the Bible does tell us, but only if we are paying attention. …and there was not a man to till the…
John runs a theme throughout his gospel that bubbles under the surface—Jesus is searching for, and finding, a wife. John launches into the narrative proper with a statement of where he’s going. “On the third day there was a wedding” (John 2.1) is about as good an example of flash…
I have come to believe that a great many people are almost too weak to repent in any very open way. There must first be some level of healing. In some cases, including biblical ones, there is not even any evidence of faith on the part of the recipients of…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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