Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Standing in the narthex at the font, parents joyfully approach with their newborn child. The pastor asks the parents a series of questions that may include their renunciation of the devil and all his works, their faith in God the Father, Son, and Spirit as explained in the Apostles’ Creed,…
And there was a prophetess, Anna, the daughter of Phanuel, of the tribe of Asher. She was advanced in years, having lived with her husband seven years from when she was a virgin, and then as a widow until she was eighty-four. She did not depart from the temple, with…
Get the Psalm 30 Translation here Psalm 30 is a song for the dedication of "the house." Since it is by David, the house would seem to be his palace in Jerusalem. The psalm has an ABA structure, with the B structure being an exhortation to the saints, and the…
I once asked a ferryboat captain if steering a ferry was any different than driving, say, a big semi truck. He looked at me like I had just asked whether a bowling ball fell when you dropped it. “It’s completely different,” he said. “On the river, you never stay pointing…
The key scene in Shakespeare's Much Ado About Nothing comes just after the first wedding scene when Claudio tosses Hero aside as a "rotten orange." He has been tricked into thinking that Hero is unfaithful, and that is an affront to his honor. He won't put her away quietly. He…
Medieval Christianity is in the news. That’s exciting for me as I have a PhD in medieval theology and I teach Ancient and Medieval Church History at Covenant Seminary. Thus I have a little “skin in the game,” as the saying goes. Earlier this week our President made some comments…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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