Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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“R emember His wonders which He does,” the Levites sing when the ark is brought to Jerusalem (1 Chronicles 16:12a), doubtless referring preeminently to the wonders of the exodus but more distantly to the wonder of doing/making creation. At creation and in the exodus, God's wonders are the wonders of…
T oward the end of the rambunctious Paris Review interview , sometimes a meta-interview about the process of interviewing, Mark Helprin answers the question, Why do you write? As always, he answers circuitously, by contrasting creativity in pre- and modern art: . . . in a secular world, each artist…
I n a NYRB review of Anthony Gottlieb’s Dream of Enlightenment , Thomas Nagel corrects Gottlieb’s account of Hobbes’s moral philosophy. He lucidly summarizes Hobbes’s moral argument for absolutism: Hobbes’s theory, and what led to his being attacked as a moral nihilist, was his refusal to appeal to any concern…
I n his poignant, deeply personal New York essay on his distraction addiction, Andrew Sullivan reflects on the silence of sacred places: “From the moment I entered a church in my childhood, I understood that this place was different because it was so quiet. The Mass itself was full of…
M axwell Anderson’s forthcoming Antiquities surveys the world of antiquities, summarizing law, history of collection, the difference between the interests of archeologists and antiquities dealers, forgeries and their detection, the market in antiquities. Everything you’d want to know. Anderson places the rise of interest in antiquities in the context of…
S tuart Banner attempts to draw the fine line between investment and gambling in his forthcoming Speculation . Among other things, his book is a history of America’s double-mindedness about speculative investing. Visitors to the early US regularly made comments like this from German journalist Francis Grund: “An American merchant…
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