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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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More Than Cool Reason

Antonio Damasio began to doubt the purity of reason when he encountered a patient with a brain disease that destroyed the portion of his brain that controlled emotional responses: “I had before my eyes the coolest, least emotional, intelligent human being one might imagine, and yet his practical reason was…

May 9, 2016

The Persistence of Modernism

In a contribution to a forthcoming collection of essays on Time , David James explores the usefulness of periodization categories like “modern” and “postmodern.” To be sure, some believe that modernism and modernity are passe: “' Many emerging artists,' reflects Terry Smith, ‘sense that Modernism—no matter how often and subtly…

May 6, 2016

Singers and Priests

The genealogy of Levi in 1 Chronicles 6 begins and ends with the genealogy of Aaron (6:1-15; 6:49-53). In between are two lists of the clans of Levi, the first a simple genealogy arranged according to the subclans of Kohath, Gershom, and Merari (6:16-30) and the second a genealogy of…

May 6, 2016

No Deal

David Goldman (Spengler) writes that “Republican voters bought Trump’s message that the wicked Chinese and the feckless Mexicans have stolen jobs and wealth that rightfully belonged to Americans, and that he, Donald Trump, with his world-class negotiating skills, would go out and get them back.” The problem is that “There’s…

May 6, 2016

What Is A Family?

In her Sexual Authenticity , Melinda Selmys says that the distinction between “traditional” and “alternative” families is often misunderstood: “At the heart of it is distinction between family as something we choose to meet our own needs and desires (for comfort, security, affection, etc.), and family as something that we…

May 5, 2016

Sacramental Art

Nearly everything about modern art “can be empirically explained by examining style, iconography and patronage,” writes Richard Nelson ( The Spirit of Secular Art ). What cannot be explained is the prestige of art, and this eludes because it is reliant on intuitions that artists dismiss as archaic and outmoded.…

May 5, 2016

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