Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Inspired by our recent podcast on Christmas and Advent music recommendations, we offer here a list of excellent recordings that are sure to enrich your Advent and Christmas season. Praetorius: Mass for Christmas Morning Paul McCreesh with the Gabrieli Consort and Players Amazon | Spotify | Apple Music 2. Christmas…
In the year 1483 in the city of Nuremberg, the leaders of the renowned Saint Lawrence Church were seeking to redesign their altar, and above the table where the priests presided over the eucharist, they wanted new art installed above the prestigious Krell altar. What they decided on took everyone…
The consequences of disobedience start with exile from the garden of God and the Tree of Yahweh, but they do not end there. They cascade down through the structure of the dynastic order. Everything which had previously been given in the Kingdom of Elohim is either taken back or curtailed…
Parallelism: A Course Correction If you have ever studied Hebrew poetry, you have probably heard its basic poetic feature described as “parallelism.” Hebrew poetry is not metered, it does not rhyme, it does not employ many of the common poetical tropes, but its distinctive (and almost universal) feature is commonly…
In The Crown and the Courts , David C. Flatto traces the development of the idea of judicial independence in Jewish commentaries on the Scriptures – particularly Deuteronomy 17 – from the Second Temple and early rabbinic periods. These periods roughly span 400 BC to 300 AD. Flatto does not…
A curious feature of the Infancy Narratives in the Gospel of Luke is the naming of John the Baptist. When the angel appears to Zechariah, he is instructed to give his promised son the name John (Luke 1:13). On the day of John’s circumcision, Luke tells us that “they [presumably…
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When John first enters heaven, no altar is visible. He sees an altar for the first time when the fifth seal is broken, and at that point his attention is directed to the base of the altar, where the martyred saints have shed their blood (6:9). The next time we…
Richard Beck points out in Unclean that disgust is “promiscuous”: It “has a degree of plasticity; it is molded to fit a given culture.” In this, disgust differs from other emotions: “The core triggers for happiness, fear, sadness, or anger appear to be fairly stable and consistent across cultures. But…
Ernest Becker wrote: “Excreting is the curse that threatens madness because it shows man in his abject finitude, his physicalness, the likely unreality of his hopes and dreams. But even more immediately, it represents man’s utter bafflement at the sheer non-sense of creation: to fashion the sublime miracle of the…
The worship of the beast in Revelation 13 takes the form of an acclamation of His uniqueness. “Who is like the beast?” they cry. This has several layers of significance. This acclamation echoes the acclamation of Israel in the song of Moses: “Who is like You among the gods, O…
The beast of Revelation 13 initiates a double attack against the saints: first blasphemy, then he “makes war” on them (vv. 6-7). The blasphemies are against God, but they are directed also at the name of God, His tabernacle, and those who dwell in heaven (v. 6). The dragon has…
Polybius wrote, “when a man who has been helped when in danger by another does not show gratitude to his preserver, but even goes to the length of attempting to do him injury, it is clear that those who become aware of it will naturally be displeased and offended by…
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