Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The resurrection stories in Matthew, Mark, Luke, and John are among the strangest stories in all of the literature of the world, even among the strangest stories in the Bible. That is true of each Gospel’s accounts individually, but even more of the collection as a whole. On the one…
As a pastor, I’m interested in discipleship. Christians are called to be disciples of our Lord Jesus Christ. Discipleship has everything to do with the disciplines we walk by in our lives. Things like Bible reading, prayer, and fasting are hallmarks of standard Christian discipleship. The basic thrust is that…
Psalm 1 is justly famous among biblical texts. It opens the Psalter, it’s a paean to the life-giving power of the Law, and it beautifully describes righteous life as a stable, fruitful tree. It subtly weaves the contrasting threads of wickedness and righteousness into a succinct summary of biblical wisdom:…
No book is more quoted in Hebrews than the Psalter: there are quotations and allusions to psalms on virtually every page. And many of the quotations are not passing references but closely considered and repeatedly cited as the author of Hebrews develops his central arguments. Much of Hebrews is exposition…
Howard Bloom is a beautiful hypocrite. The author of books in as different subjects as Mohammed, scientific theory, and the cultural upheaval of the 1960s, he professes to be a “stone cold atheist.” Yet in spite of that profession, Bloom obviously writes as a Jew; that is, he writes with…
There may be some debate about who deserves the title “the King of American literature,” but, at least to my mind, there should be no debate over who deserves to be “the Queen” – let’s give the crown to Flannery O’Connor. She is, however, a very unlikely queen. Unlikely, not…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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