Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The story of Judges 19 and the subsequent chapters are some of the most shocking and appalling accounts in all of Scripture. The callousness of the old host and the Levite, and the monstrous brutality of the men of Gibeah, leaves us feebly scrabbling for words by which to surmount…
David has become king. He has conquered the capital city of Jerusalem. He has brought the ark of Yahweh into the city and placed it in a tent. He has stationed Levites at the tent to offer sacrifices of praise. An anomaly hits him: He has a cedar-paneled palace, and…
In Part 2 of this series we traced what we have of the development of the epiclesis in the liturgy of the Church. In this third and final part we’ll look at the theological implications of this and how we may apply what we’ve learned. As we saw in Part…
In a 2014 piece published in First Things , I offered a "wish list" for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism and…
In the first part of this series we examined the meaning of “blessing” in Scripture and its parallels in Jewish liturgical tradition, but did not find anything that we could properly call an epiclesis (an invocation of the Holy Spirit). We did find examples of invocation of Jesus to “come”…
When the Aaronic priests were ordained, the blood of the ram of "filling” was placed on the lobe of the right ear, the right thumb, and the right big toe (Lev. 8:22-24). Similarly, the cleansing rite for a leper included smearing the right ear lobe, thumb, and big toe with…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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