Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And the Word became flesh and tabernacled among us, and we beheld His glory...(John 1:14) Commentaries on John, discussing the Word or Logos in John 1, routinely turn to Greek philosophy and say that John is using a term and at least part of an idea familiar in the ancient…
Jeremiah Burroughs defines contentment as “that sweet, inward, quiet, gracious frame of spirit, which freely submits to and delights in God’s wise and fatherly disposal in every condition” Contentment is one Christian virtue that Americans have an incredibly hard time understanding and applying. We have such comfortable lives that we…
"The goal I have for myself, my family, and my church is total bible saturation. I expected the Exodus Intensive class to help me with that, but I am shocked just how much it did," said Mark Balthrop, a pastor in Oklahoma City who attended Theopolis' recent course on the…
In a characteristically pithy essay, Robert Jenson has decried the “two paired errors” of traditional atonement theory. On the one hand, the cross is separated “from its future, in the resurrection” and, on the other, from “its past in the canonical history of Israel.” For the apostles, crucifixion is “anything…
The Historical-Grammatical Nanny State Typological interpretation is either abused or frowned upon, a domain relegated to mystics and charlatans, where the angels of modern academia fear to tread. But what if the Bible itself contained safeguards against irresponsible flights of fancy? And if it did, what would they look like?…
It is harsh advice for a suffering soul to be told to be content, to be happy, to be delighting in the rough circumstances. Is Christian contentment something we should automatically have as a result of being in Christ? Is it something we do? Is it an action or is…
Showing page 135 of 309
Showing page 40 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
