Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Bible, fatness is such a blessing, that it is especially hard to understand why wicked men are permitted to enjoy such a state. It requires a theodicy and faith in God. Thus: “For they have no pangs until death; their bodies are fat and sleek . They are…
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The allusion to the Exodus story is contained in the first words of Deuteronomy 14:1 — “ye are the sons of Yahweh your God” — as well as in 14:2 in the use of the technical term translated “treasured possession,” “His own possession,” “peculiar people,” “precious people,” and so forth.…
I have argued that Deuteronomy 14:1-21 is an independent literary unit that applies the Third Word to the lives of Israelites from the time of Moses and Joshua. In this short pericope, Moses suggests broad and deep meaning by means of literary allusion to the stories of the creation and…
In his recently republished The New Creation , the late, delightful Herbert McCabe defends the priesthood of the plebs as roundly as anyone could want. Citing Hebrews, he claims that "there is an essential difference between the Christian community and the community of the Old Law, or any other religious…
Augustine famously prayed, “Our hearts our restless until they rest in You.” True indeed. Being creatures, we inherently sense our ontological poverty—our innate condition of dependence—and are compelled to find a sense of security. And it is also true—as Augustine’s own narrative painfully illustrates—that one of the things we most…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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