Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
OUR REFORMED HERITAGE When a Reformed Christian hears “baptismal regeneration,” what comes to mind? “Heresy,” most likely. Unfortunately, many in the Reformed community today have lost touch with some important aspects of their own heritage. If Reformed theology is going to continue reforming according to Scripture, we must recover the…
Faith and assurance are recurring subjects of controversy in Evangelical circles. We all agree that we are saved by the righteousness of Christ reckoned to us, which we receive through faith alone. Jesus lived and died and rose again as the representative of his people so that all of them…
What’s at stake (or not!) for Reformed Pastors regarding the contemporary discussion of Paul and “the works of the law”? There has been a great deal of talk lately about “the New Perspective on Paul” and the works of, among others, Ed Sanders, James Dunn, and N. T. Wright. Each…
When Christ enjoins upon the young man the duty of following him (Mt. 19:23), he does not give a counsel, but a command to all in common because no one can have a hope of salvation unless he follows Christ (2 Pet. 2:21), although from a particular cause it is…
This short paper is not an attempt to provide a comprehensive analysis and defense of N. T. Wright, much less the so-called “New Perspective on Paul” as a whole. Indeed, Wright’s theological project has some failings and the New Perspective as a movement must be considered a mixed bag of…
Leviticus 1:3-13, Translation 3 If his Nearbringing is an Ascension from the herd, a perfect male shall he bring him near. To the forecourt of the Tent of Meeting he shall bring him near, for his acceptance before Yahweh. 4 And he shall lean his hand on the head of…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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