Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
(Genesis 37:2 – 50:26) A. Generations of Jacob, 37:2a B. Joseph hated by brothers, 37:2b C. Jacob’s discriminatory blessing, 37:3-4 D. Rule over family: vision, 37:5-11 E. Joseph seeks brothers, 37:12-17 F. Joseph "killed," 37:18-36 G. Judah’s sin, ch. 38 H. Imprisonment, though undeserved, ch. 39-40 I. Famine and Pharaoh,…
Moses and Jesus The gift of the Father is a son, but we must be ready to give our sons back to Him when it is time. The gift of the Brother is an estate, but we must be ready to give our estates back to Him when it is…
An Exposition of Chapter XXV of the Westminster Confession of Faith I. The Catholic or universal Church, which is invisible, consists of the whole number of the elect, that have been, are, or shall be gathered into one, under Christ the head thereof; and is the spouse, the body, the…
From Plato to NATO: The Idea of the West and Its Critics , by David Gress (New York: Free Press, 1998). This book came into my hands after I had finished my series of essays on Western Civilization. It is so good that I was tempted to summarize it in…
In a recent issue of the Chalcedon Report (March, 1999), R. J. Rushdoony praises Patrick Buchanan’s book The Great Betrayal (Boston: Little Brown, 1998), a defense of protectionism. Rushdoony claims that the conflict between free trade and tariffs is a religious conflict, and he is correct. Unfortunately and surprisingly, he…
Joseph and Esther The third patriarch was Joseph, and the third phase of pre-gospel history is the Restoration. We have not spent time looking particularly at the Joseph narrative heretofore, because it is different in cast from the Abraham and Jacob ones. There is no explicit promise, fulfillment, and crisis…
Showing page 246 of 309
Showing page 40 of 43
Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
Showing page 64 of 2212
Your weekly digest for all things Theopolis.
