Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
E. John Hamlin, At Risk in the Promised Land: A Commentary on the Book of Judges International Theological Commentary. Grand Rapids: Eerdmans, 1990. For anyone who has developed a taste for the rich biblical theology of Meredith Kline, James B. Jordan, Vern Poythress, and others, it is difficult to find…
". . . and all drank the same spiritual drink, for they were drinking from a spiritual rock that followed them; and the rock was Christ" (1 Corinthians 10:4). Paul’s passing comment about the rock that followed the Israelites in the wilderness has often been treated as a bit of…
Several months ago, my brief article entitled "Elijah’s Exodus" was published in Biblical Horizons . Since that time, further study has made it evident that Elijah’s exodus in 1 Kings 17 is part of a larger pattern in which Elijah’s ministry closely parallels Moses’. The following parallels are evident: Elijah…
The translation and theology of the Hebrew term kapporet have long been puzzling to scholars. On the translation of the term, I have nothing new to offer. I wish instead to concentrate on the theological symbolism of the kapporet . The kapporet was the solid gold slab that laid "above"…
Peter Leithart's article entitled " Prey in My House" pointed out that tearing flesh is a sign of kingly rule and dominion, and that God is portrayed as the Lion-King who tears flesh. The tithe brought to God’s house provides the money for the torn flesh of the sacrifices offered…
The Seventy Years of Sabbaths 2 Chronicles 36:20-21 reads: "And those who had escaped from the sword he carried away to Babylon; and there they were slaves to him and to his sons until the rule of the kingdom of Persia, to fulfill the word of Yahweh by the mouth…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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