Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Matthew 8-9 records three clusters of miracles, interspersed with snatches of Jesus’ teaching about various aspects of discipleship. Just as the Sermon on the Mount displays the authority of Jesus’ Word in teaching, these chapters display the authority of Jesus’ Word over sickness, uncleanness, the creation, demons, and death. In…
Since the early 1980s, several of the conservative Reformed Churches have debated and wrestled with the issue of paedocommunion (infant communion). The PCA and the OPC assigned study committees to examine the question, both of which produced useful reports both in support of and against the position. Though the debate…
(This issue of Biblical Chronology concludes a discussion of the Biblical and Assyrian chronologies, begun in previous posts. Click on the category link of "Biblical Chronology" above to see previous issues. Did Shalmaneser Know Jehu? Allis writes: "The Black Obelisk of Shalmaneser contains, in addition to brief accounts of the…
Movies Movies as an art form have a powerful impact because they take place in a dark room, on a large screen, with no distractions, and because they entail many of the arts: music, acting, choreography, design and color, etc. A movie can be an overwhelming experience for a young…
The Hebrew word translated as "grain offering" or "cereal offering" is minchah . Like the translation of `olah as "burnt offering," the translation of minchah as "grain offering" is somewhat deceiving, since minchah does not refer to grain or cereal. In liturgical contexts outside of Leviticus, in fact, the word…
"He shall then skin the burnt offering and cut it into its pieces" (Leviticus 1:6). The normal word ( `olah ) that is translated as "burnt offering" and "whole burnt offering" has nothing to do with either burning or wholeness. It is the noun form of a verb meaning "to…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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