Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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In his fascinating Faith of Our Fathers , Chan Kei Thong points to many biblical images embedded in Chinese characters. His argument could be made even stronger by looking at Hebrew terminology. For instance, he says of the character “zui,” which means sin, that “The top part is . .…
At the beginning of the Great Sacrifice performed by the Chinese emperor for centuries, singers sang the song of creation, addressed to the “Sovereign Lord” known as “Shang Di”: “Of old in the beginning, there was the great chaos, without form and dark. The five planets had not begun to…
One of the differences between those associated with “Federal Vision” theology and those opposed to it is a difference of theological imagination. The opponents operate with a theological imagination that distinguishes and clarifies; ontology is distinguished from relationality, nature from supernature, ecclesiology from soteriology. On the other side are theologians…
According to Adolf Loos, a turn of the 20th-century Viennese architect and critic, modern style combines beauty and practicality. Both are necessary: “By beautiful, what we mean is that something has achieved fullness, completion. But no useless, impractical object can really be described as ‘full’ or ‘complete.’” One can imagine…
Some initial observations on Nobuyoshi Kiuchi’s recent commentary on Leviticus in the Apollos series from IVP. 1) Kiuchi intriguingly translates hata and hatta’t , traditionally rendered in terms of “sin” or “purification” in terms of “hiding”: ” hata and hatta’t mean ‘to hide oneself’ and the condition of ‘hiding oneself,’…
A student points out that Hebrews 1-2:4 contains seven quotations from the Old Testament. Through these seven words, God speaks His Son as the new creation.
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