Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
"Put not your trust in princes, in a son of man, in whom there is no salvation. When his breath departs, he returns to the earth; on that very day his plans perish. Blessed is he whose help is the God of Jacob, whose hope is in the Lord his…
When it comes to the interpretation of Shakespeare, Harold Bloom is my favorite enemy. His writing is brilliant, his knowledge of things Shakespearean encyclopedic, and the insights he offers may puzzle, startle, or amaze, but they always educate. How then can he be an enemy? Because his anti-Christian bias is…
Theopolis President Peter Leithart spent the last week of March lecturing on worship and sacraments in England. He delivered four lectures on liturgy in Bolton, a town north of Manchester, arguing that Christian worship must be worship fit for the king and fit for the kingdom that has come in…
When we think about eschatology, we think immediately of Daniel, of Matthew 24-25, of 1 Corinthians 15 and 2 Thessalonians 2, and of course of Revelation. We don’t, I suspect, think about Genesis. Perhaps Genesis 3:15, with its promise of the woman’s seed, would come to mind. So might the…
Alexander Schmemann in his book, Of Water and the Spirit, expounds the question that appears in nearly all the older baptismal liturgies, “Do you renounce the devil and all his works, the vain pomp and glory of the world and all sinful lusts of the flesh.” This renunciation, according to…
Franklin Graham recently posted the following statement on his Facebook page: “Listen up—Blacks, Whites, Latinos, and everybody else. Most police shootings can be avoided. It comes down to respect for authority and obedience. If a police officer tells you to stop, you stop. If a police officer tells you to…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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