Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Book Review The Call of Grace: How the Covenant Illuminates Salvation & Evangelism by Norman Shepherd The Call of Grace is an excellent manual to put in the hands of laymen to teach them how to rest in God’s grace while taking seriously the prize of the upward call of…
My Role as a Parent in My Children’s Salvation Evangeline Jael Horne is our third child. My two boys were born while we were at seminary and we had the privilege of giving them to Jeff Meyers, our pastor at that time, for baptism. When Evangeline was born, however, I…
John Calvin writes in the Institutes about the possibility of admitting children to the Lord’s Supper by virtue of their baptism once and only once: At length they object, that there is not greater reason for admitting infants to baptism than to the Lord’s Supper, to which, however, they are…
The debate over paedocommunion does not seem to have made much headway on either side in recent years. Certainly both sides have made a solid effort to argue for their position. But no resolution seems to be forthcoming in the near future. As a convinced paedocommunionist, I find the church’s…
Lots of conservative Protestants want to answer “no” to this question. The problem with this position is that conservative Protestants are bound to believe what the Bible teaches. And the Bible says inconvenient things, like “baptism now saves you” (1 Peter 3.21), or “all of you who were baptized into…
This paper is something of a follow-up to my earlier study, “ Baptismal Efficacy and the Reformed Tradition: Past, Present, and Future .” One of the more controversial aspects of that paper was my claim that Calvin held to a very high view of baptismal efficacy. Indeed, he was a…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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