Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We assume we understand “chapter two” of Ephesians, and therefore generally get the entire Old Testament wrong. We also misunderstand the evangelism in Acts. Our misunderstandings might have happened without Ephesians 2, but the confusion is mutually reinforcing. This confusion (either cause or effect or both) also extends to a…
From the Cucumber to the Cross All creation groans with the pains of childbirth, so the Apostle Paul tells us in his epistle to the Roman church. This is a fact that I believe every living person not only knows, but feels deeply. Something about this world just isn’t quite…
Angela Standhartinger has written about the so-called “house-hold code in Col. 3:18-4:1.” Her introductory paragraph is illuminating. The household code in Col. 3.18-4.1 is the earliest text in the New Testament that calls on women, children and slaves to submit to men, fathers and masters. In many respects this text…
On the Woman Question Strength and honor are her clothing And she shall rejoice in time to come. There’s been, I’m sorry to say, more Discourse. Primarily though not exclusively on Twitter. About the Woman Question, again. So I figured I’d make things a little worse by highlighting an aspect…
How to Spot a Simulation The smartest way to take over the world is to replace it with a fake one. The smartest way to replace it with a fake one is little by little. Part 2 Part 1 can be found HERE . Dirt or gold Another difference between…
How to Spot a Simulation The smartest way to take over the world is to replace it with a fake one. The smartest way to replace it with a fake one is little by little. Part 1 Deception is the common factor in all of Satan’s schemes, but throughout history…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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