Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Cornelius Van Til offered a revolutionary exposition of the Christian worldview through the lens of Reformed theology. He argued and, I believe demonstrated, that Biblical metaphysics, epistemology, and ethics mutually presuppose and include one another. Every ethical statement of the Bible — commands about righteousness — presuppose the existence and…
In the introductory portion of Deuteronomy, Moses’ last sermons to the people of Israel — people that he regarded as his own beloved children — there is a statement that may seem paradoxical to a modern reader. It invites questions and maybe even creates problems in our understanding. Here are…
In his discussion of the biblical type scene, Robert Alter speaks of the “patterns of repetition, symmetry, [and] contrast” which characterize the narratives of Scripture, patterns that give pleasure to the reader while also building up a web of meaningful connections between texts. 1 But if readers are to notice…
In 1 Timothy 2, Paul writes: “I do not permit a woman to teach or to have authority over a man, but to be in silence. For Adam was formed first, then Eve. And Adam was not deceived, but the woman being deceived, fell into transgression” (1 Timothy 2:12-14). This…
Blessed are the meek: for they shall inherit the earth. Matthew 5:5 When the above verse is read during a Lord’s Day service, no doubt, every extrovert in the room thinks to himself, “Well, that rules out me.” After all, the meek folks in the room are the ones you…
The flames of the altar tell a mysterious story beyond mere atonement. The altar was a place of union, glory, worship, love and forgiveness, laughter and tears, renewal and hope. The altar is where Israel would feast with God, sacrifice to God, worship God, confess, and receive forgiveness from God.…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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