Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
One evening at dusk two men met under a portico near the North wall in Jerusalem. They greeted one another cordially and sat down on a stone bench. They were both Pharisees. One of the men appeared to be uncomfortable and kept looking around nervously. The other said, “Don’t worry,…
John Williamson Nevin’s Controversy With Charles Hodge Over the Imputation of Adam’s Sin (with a Comparison to Robert L. Dabney) If one is blessed to discover George P. Hutchinsons’s monograph on Original Sin in nineteenth-century Reformed thought, 1 no student of American presbyterianism can fail to be fascinated. What once…
If you stop people on the street and ask them, “Where is God?” you’ll get a range of responses from a vague sense that He’s “up there somewhere” to a generic omnipresence (and it goes downhill from there!) What God does in Acts 2 challenges us to develop and apply…
Then some of the scribes and Pharisees answered him, saying, “Teacher, we wish to see a sign from you.” But he answered them, “An evil and adulterous generation seeks for a sign, but no sign will be given to it except the sign of the prophet Jonah. For just as…
John Walton believes that modern Christians have lost multiple worlds: The Lost World of Genesis One; The Lost World of Adam and Eve; The Lost World of Scripture; The Lost World of the Israelite Conquest; The Lost World of the Flood; The Lost World of the Torah. I believe this…
How should the church respond to the pandemic? N.T. Wright has written a book which searches the depths of Scripture to answer this question. Our challenge is that we do not yet understand the pandemic, at least not with any degree of consensus. We don't know whose fault it is,…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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