Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Because of sin, the arts sometimes do not serve to glorify but to debase. Sinful men make their environments ugly, and create ugly art to “enhance” their ugly words. But since all men are still God’s images, no men are able to live with such ugliness all the time. Thus,…
Arts and literature reviews in most evangelical Christian publications generally approach their subjects in terms of ideology. We are told whether or not the film or book is acceptable in terms of morals, sexual graphicness, and theological accuracy. While there is definitely a place for such reviews, I fear that…
We speak of God as Father, Son, and Holy Spirit. The early Church tended to speak of Him as Father, Word, and Spirit. In this short essay, I want to suggest some other ways to think of the Trinity, ways that I have found pastorally helpful in my own life…
I, Yahweh your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and fourth of those who hate Me, but showing lovingkindness to thousands, to those who love Me and guard My commandments (Ex. 20:5-6). The Second Word forbids acts of ceremonial…
8. The Table of Nations If we assume births every two years, and about 30 years between generations (cp. Gen. 11:12-24), we can come up with an approximate series of dates for the generations recorded in Genesis 10. We shall assume that all three of Noah’s sons had their firstborn…
Zechariah’s first prophecy (Zech. 1:1-6) was delivered in the eighth month of the second year of Darius. The notation of this date serves a number of purposes. Most obviously, it relates Zechariah’s prophecies to those of Haggai. By the time Zechariah delivered his first prophecy, Haggai had already chided the…
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To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…
Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…
In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…
In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…
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