Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What shall we say then? Is there injustice on God’s part? By no means! For he says to Moses, “I will have mercy on whom I have mercy, and I will have compassion on whom I have compassion.” So then it depends not on human will or exertion, but on…
A hundred years ago, William Warley signed a contract to buy a house in Louisville, Kentucky from Charles Buchanan, a white man. Before closing the sale, Warley, who was black, learned that the lot was subject to a city ordinance barring blacks from occupying the premises if most of the…
I concluded the first essay on this topic by saying that I would introduce three books about Shakespeare and the Bible, but I decided to introduce four instead. The three books become four are: Naseeb Shaheen, Biblical References in Shakespeare’s Plays (London: Associated University Presses, 1999) ; Hannibal Hamlin, The…
My children attend a classical Christian school, situated in the independent “free church” evangelical tradition. Over the past few years they have been growing in their acquaintance with the world of Homer, Plato, Virgil, and Livy. They enjoy it, and I envy it. The school is a great school. My…
The Prodigal Son parable (Luke 15) has been a favorite of liberal theologians for a couple of centuries. It seems to be a parable designed for liberal sensibilities: An indulgent, accepting Father; forgiveness extended without a cross; a surly older brother who might represent the "conservative" face of religion who…
“I want now to tell you, gentlemen, whether you care to hear it or not, why I could not even become an insect. I tell you solemnly, that I have many times tried to become an insect. But I was not equal even to that. I swear, gentlemen, that to…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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