Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
As Adam and Eve walked to the center of the Garden of Eden to meet with the LORD on their first Sabbath they conversed about the origin and age of the earth. Adam: You know, honey, we spent a lot of time yesterday making preparations for our house, and we…
Some of our forefathers believed in reading/singing the psalms in order. Today, when the psalms are even used at all, they tend to be used randomly, though sometimes tied to a church calendar or to the pastor’s sermon. The Bible does not bind us to any particular practice, but there…
Dr. Collins begins his essay with a brief statement of the Day Age view and then a brief statement of the Six Day view, focussing on the challenge to that view posed by modern "science." He ends this discussion by writing: "Two crucial points are at stake here: first, the…
In his The Construction of Social Reality , Berkeley philosopher John Searle puzzles over the ontology of the products of human construction. Certain things – granite, platypi, weeping willows – occur naturally; while other realities – stone walls, zoos and parks, Chase Manhattan Bank – exist only as products of…
In the journal Presbyterion 20 (1994):109-130, published by Covenant Theological Seminary, Dr. C. John Collins sets forth a revision of the Day Age approach in his essay, "How Old Is the Earth? Anthropomorphic Days in Genesis 1:1–2:3." Dr. Collins’s essay has been widely accepted in evangelical Presbyterian circles as an…
The Righteousness of Shem and Japheth As noted above, the action of Shem and Japheth was purely symbolic. They did not need to cover Noah with a garment, for he was already covered by the tent. Their action was a symbolic affirmation of Noah’s authority, a symbolic rejection of Ham’s…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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