Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
(continued from previous issue) Between 30 and 50 What did the Levites do between age 30 and 50? Numbers 4 shows us that they carried the house of God on their shoulders. Lifting up the Lord is an image of worship in the Bible, and David’s restructuring of the Levites…
When God created the world, He created two lands: the Throne-land of Eden (entered through the sanctuary-garden, the Garden of Eden), and the Outlying Lands, such as the lands of Havilah and Cush. This essentially bi-polar world is the world of the Old Creation, and it continued to exist until…
Color is inescapable, except for those who are color blind. In our church architecture, we either employ color schemes that are helpful to worship, or we employ color schemes that are not helpful. Of course, this assertion merely begs the question: What color schemes are most helpful. God showed interest…
As I noted in an earlier article in Rite Reasons , the Church Fathers Tertullian, Ambrose, and Augustine all claimed that baptism inducts the baptized person into membership in the royal priesthood of the church, and Thomas Aquinas said that baptism, by imprinting an indelible “character” on the soul, confers…
When the Aaronic priests were ordained, the blood of the ram of "filling” was placed on the lobe of the right ear, the right thumb, and the right big toe (Lev. 8:22-24). Similarly, the cleansing rite for a leper included smearing the right ear lobe, thumb, and big toe with…
In my Preliminary Commentary on Daniel , which many of you have obtained, I argued in chapter 13 that the four monsters called up from the sea by the evangelistic work of the four winds (the saints) represented the deep hatred of God that evangelistic work brings to the fore…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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