Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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Z ygmunt Bauman thinks we are awash in nostalgia. We have created a Retrotopia . Nostalgia, he argues, “is but one member of the rather extended family of affectionate relationship with an ‘elsewhere.'” Thus retrotopia shares characteristics with utopian inspirations and progressive projects, the main difference being that the Angel…
“T here's a new ‘sacred' in town,” write Juan and Stacey Floyd-Thomas in The Altars Where We Worship . It's not the old sacred of church, word, sacrament. They write, “Statistics reveal a startling gap between confession and practice in American religion. Slightly more than 70 percent of Americans in…
P atrick Deneen ( Democratic Faith , xiv) tells the story of the desacralization of the Cathedral of Saint Genevieve in 1791. The national assembly decided to “rededicate the basilica as a resting place for France’s revolutionary heroes. Above its doors were carved the words, ‘Aux grands hommes la Patrie…
I n his Aesthetics of Architecture , Roger Scruton summarizes RG Collingwood's distinction between art and craft. It has a surface plausibility: “Initially it seems quite reasonable to distinguish the attitude of the craftsman—who aims at a certain result and does what he can to achieve it—from that of the…
I n his book, Disenchanted Night , Wolfgang Schivelbusch considers the difference between lighting by torches and lighting with candles. With the torch, “the site of combustion and the fuel are one and the same thing, while in the candle they are clearly separated. From now on the wick acts…
H esiod's “Hymn to Hekate” seems to interrupt the Theogony to no good purpose. Hekate isn't a major goddess, and the hymn doesn't seem to be integrated into the rest of the poem. In her forthcoming bilingual edition of Hesiod's poems, Kimberly Johnson argues that “Hekate is integral to the…
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