Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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INTRODUCTION Antony and Cleopatra is set in the 30s BC, during the period of the Second Triumvirate, which consisted of Antony, Octavius Caesar, and Lepidus. It is a story of middle-aged infatuation between the title characters, carried out in the context of a political struggle between Antony and Octavius for…
One Thomas Merriam has a very intriguing article on “Parallel Ironies: Henry VIII (All Is True) and Antony and Cleopatra ” (available in full on his web site ). He argues that the clown’s words to Cleopatra in Act 5 of Shakespeare’s play provide theological commentary on the action. Here…
Some exceprts from Coppelia Kahn’s stimulating feminist study of Shakespeare’s Roman plays [ Roman Shakespeare: Warriors, Wounds and Women (Routledge, 1997)], with appended theological reflections: The word ?suicide?Edoes ?not appear in ancient Latin, but is, rather, an English derivative from Latin compounds?EIn contrast, the Roman lexicon of suicide emphasized rationality…
In Shakespeare’s play, Cleopatra’s outburst against Agrippa (who has suggested that Antony marry Octavia, Caesar’s sister) is remarkable: “That Herod’s head I’ll have” (3.3.5-6). “Herod” cannot be used in the same sentence with “head” without evoking the story of John the Baptist. I’m not sure how this functions in the…
Nigel Cameron, director of a Wilberforce Forum council on biotechnology includes the following in his recent email update: “I gave a presentation at the Experimental Biology conference in Washington, D.C. a few weeks ago, where I was surveying the ethical pros and cons of stem cell research. Alongside me were…
Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…
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