Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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And in case there is any doubt that Bloom’s aesthetics is tragic: He claims that a poet is always one who is “rebelling more strongly against the consciousness of death’s necessity than all other men and women do.” (Call this the “heroic poet,” operating by the code of heroic honor…
And in case there is any doubt that Bloom’s aesthetics is tragic: He claims that a poet is always one who is “rebelling more strongly against the consciousness of death’s necessity than all other men and women do.” (Call this the “heroic poet,” operating by the code of heroic honor…
In the introduction to Anxiety of Influence , Harold Bloom quotes Geoffrey Hartman to the effect that art seeks “to overcome priority,” specifically the priority of nature: “art fights nature on nature’s own ground, and is bound to lose.” Bloom, of course, links this up with his own project of…
Sermon outline for November 9: Where Your Treasure Is, Luke 12:1-53 INTRODUCTION Luke 11 ended with Jesus’ most clear and pointed condemnation of “this generation,” which would be charged with all the blood of prophets from Abel to Zechariah (11:51-52). Throughout the following two chapters, this threat is in the…
For Thomas, the “final cause” is the first cause. That is, the purpose for which a thing is done is what initiates doing the thing. I plan to retire to Tahiti; that is my final purpose. And that is the cause that initiates the various schemes of earning and saving…
Thomas W. Mann has some interesting comments on the Joseph narrative in his 1988 book The Book of Torah: The Narrative Integrity of the Pentateuch . First, he points out that Joseph’s “trial” of his brothers is equally a trial of his father; Jacob initially refuses to give up his…
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