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Exodus

Introduction to the Ascensions

Before considering the details of the Leviticus, we must have before us certain matters that have been established in Genesis and Exodus. These are things that we as Israelites already know when we first hear Moses report what God dictated to him in Leviticus. Adam Let us begin with Adam.…

by James B. JordanJuly 5, 2001
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Biblical Studies

Leviticus 1:2

(continued from issue 142) 2 “Speak to the sons of Israel and say to them, ‘An adam, 1 when he brings near from you p a Nearbringing 2 to Yahweh, from livestock 3 from the herd and from the flock you p shall bring near your p Nearbringing. 4 2.…

by James B. JordanJuly 5, 2001
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Luke

Correcting Two Mistakes of the Law-Gospel Hermeneutic

Trying to Deal Honestly with Luke 10.25-37; 18.18-30; and Parallels When Christ enjoins upon the young man the duty of following him (Mt. 19:23), he does not give a counsel, but a command to all in common because no one can have a hope of salvation unless he follows Christ…

by Mark HorneJune 6, 2001
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James

"We Have One Father, Even God"

Initial Observations: How the Gospel Challenged the Pharisees In another paper , I argued that the “Law-Gospel” hermeneutic, as applied to Luke 10.25-37; 18.18-30, resulted in a fundamental misreading of the text. Thinking of the context of those passages in Luke’s Gospel has given me some further reflections on how…

by Mark HorneJune 5, 2001
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Biblical Studies

Leviticus 1:1-2

I recently heard of a new English translation of the Bible being prepared by men concerned to preserve a literal word-for-word rendering of the Hebrew and Greek but also sensitive to ecclesiastical tradition. I wrote to the committee and asked if they were going to fix the traditional translation of…

by James B. JordanJune 5, 2001
Sin

“JESUS IS LORD”: A Practical Suggestion for Struggling with Sin

All Christians struggle with sin. Many times even relatively mature Christians commit sins they thought they had long since left behind and end up struggling anew with sinful habits in thought, word, or deed. Naturally, this means they must rouse themselves to action in putting to death the deeds of…

by Mark HorneJune 3, 2001

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Overlapping Structures in Revelation 21-22

James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…

July 30, 2015

Show & Tell

The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…

July 30, 2015

Musical Bridges

In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…

July 30, 2015

Keeping Time, Keeping Together

William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…

July 30, 2015

End of the End

The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…

July 29, 2015

Seven Heads

In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…

July 29, 2015

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